Assoingintz / Pestis Eram Vivus Moriens Tua Mors Ero

by Miguel A. García / Miguel Souto

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about

On the one hand, Miguel A. García piece "Assoingintz" is based around Chilean cellist and improviser Matías Riquelme's expressive contribution to a García's composition of his distinctive corrosive electronics. This piece, renderizing out from pure silence, explores multiple grounds amid obscurity and psychedelia.

On the other hand, Miguel Souto provides an unique texture of pitch black Sound Mass recalling his black metal and drone music background.

Fear, alienation and anoxia are the thing here. Expect nothing but total contemporary classical and electroacoustic music mayhem withdrawing influences from the works of composers such as Iannis Xenakis, Karlheinz Stockhausen, Giacinto Scelsi and Hemann Nitsch or projects like Nurse With Wound and Lacrimi și Sfinți.

credits

released April 29, 2020

"Assoingintz"
Miguel A. García: electronics, composition
Matias Riquelme: cello
Natalia Vegas: additional voices

xedh.org/es/

"Pestis Eram Vivus Moriens Tua Mors Ero" was entirely performed, recorded and mixed by Miguel Souto.

miguelsouto.bandcamp.com

Mastering by Ilia Belorukov (belorukov.blogspot.com)

Cover artwork by Andrea Bolognino (www.instagram.com/_bolognino_andrea/)

Anoxia Records & The Anarchademy of Unsound
Catalog: estertor004 / unsound001

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Anoxia Records A Coruña, Spain

Virtual home for Anoxia Records & The Anarchademy of Unsound.

Unique sound textures beyond genres or tags.

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